Travel

Dressing Up An Old Friend

Last week, along with mystery writer Vicki Delany, I was a guest of the Public Library in Picton, Ontario. I read two scenes from my recently completed manuscript, Black Tupelo. The audience was relaxed and conversational, and one of the questions I was asked during the Q&A was “What are you working on now?” I replied that I was revisiting an unpublished novel I had written in the early ’80’s in the hopes of sprucing it up, and that so far it was going well.

And it is. Not only am I revisiting an old manuscript (working title: Up Where We Go), but I am revisiting the person I was 25 years ago. The experience is not unlike looking at an old photo album, or rummaging through a chest of toys you had as a child. The writing is youthful and lyrical and, admittedly, derivative (of Hemingway, Faulkner, and Steinbeck). And the characters — naive and idealistic compared to the grizzled and world-weary characters I use today — are refreshing, even though I know that life will beat them down, even during the progress of this story.

But I shouldn’t project too far into the book. I haven’t reread it in all these years, and although I have a rough idea of how the plot unfolds, I am constantly being surprised by what happens next. I have no recollection of writing certain scenes; odd, because sometimes I’ll remember precisely the next six or eight words that complete a sentence I haven’t seen in a quarter of a century.

I’ve also noticed that I use “free indirect style” (a species of third person narration in which the narrator possesses some, but not too much, of the attitude of the character over whose shoulder he is looking). I was just reading about this technique several weeks ago in James Wood’s edifying How Fiction Works, and didn’t think I’d ever heard of it before. Well, in fact, I hadn’t. I just used it in ignorance back when I was beginning to write, before I settled down with more conventional forms of narration.

I’ve just completed Chapter 1. I’ve changed a few things here and there, but I haven’t tampered with the spirit of the story. That would be a mistake. So far, I’m having fun. And I’m very excited to see how it ends.

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About the author

J.D. Carpenter's Campbell Young novels have been nominated for the Arthur Ellis Award, appeared on national bestseller lists (The Globe & Mail), and received critical acclaim (The Globe & Mail, The Toronto Star, The Edmonton Journal, Maclean's, Quill & Quire).